viernes, 31 de mayo de 2013

Dame de Deuil .Musical Offerings for Marguerite of Austria (1480-1530) - La Morra

Dame de Deuil
Musical Offerings for Marguerite of Austria (1480-1530)

La Morra
- Michal Gondko & Corina Marti, dirs.


Anon.
1. Triste suis de vostre langheur
Pierre de La Rue
2. A vous non autre servir habandonné
Francisco de la Torre
3. Alta (instr.)
Anon.
4. Se je souspire / Ecce iterum novus dolor
Pierre de La Rue
5. Pour ung jamais ung regret me demeure
Mijn hert altijt heeft verlanghen
Alexander Agricola
6. Si dedero (instr.)
Jacob Obrecht
7. Si sumpsero (instr.)
Antoine Brumel
8. Tous les regretz quelques furent au monde
Anon.
9. Fama malum (instr.)
    Soubz ce tumbel (Épitaphe de l'amant vert)
    Me fauldra-il tousjours ainsi languir
Anon., arr. La Morra
10. Bassedanse: La verdelette (instr.)
      Bassedanse: La danse de Cleves (instr.)
Josquin Desprez
11. Plus nulz regretz grans, moyens ne menuz



Intérpretes: Ensemble La Morra: Els Janssens (voice), Corina Marti (flutes, clavicytherium), Michal Gondko (lutes), Dani Pelagatti (douçaine), Uri Smilansky (viol), Elizabeth Rumsey (viol), Brigitte Gasser (viol)
Michal Gondko & Corina Marti, dirs.



Duración: 62' 23"
 
Lugar y fecha de grabación: Heiligkreuz-Kirche, Binningen, Switzerland [enero/2005]


medieval.org

viernes, 24 de mayo de 2013

The Romance of the Rose. Feminine Voices from Medieval France - Heliotrope

The Romance of the Rose
Feminine Voices from Medieval France
Heliotrope - Joyce Todd dir.
  1. Estampie Roine Blance
  2. Contessa de Die: A chantar m'er de so qu'ieu non volria
  3. Three songs from Guillaume de Dole
    • Siet soit bele aye (melody: Joyce Todd)
    • La bele doe siet au vent (melody adapted: Gace Brulé)
    • Quant revient la sesons (melody adapted: Gace Brulé)
  4. Estampie after Guiraut Riquier
  5. Castelloza: Per joi que d'amor m'avegna (melody: Guiraut de Bornelh)
  6. Bele Yolanz en ses chambres seoit (chanson de toile)
  7. Bele Doette as fenestre se siet (chanson de toile)
  8. Estampie Marcabru
  9. Contessa de Die: Estat ai en grue cossirier (melody: Raimon de Miraval)
  10. Estampie Bele li gossi
  11. Anon: Jherusalem, grant damage me fais (melody: Gace Brulé)
Intérpretes: Joyce Todd (soprano, percussion, harp), Natalie Cox (harp), Shira Kammen (vielle, rebec), Kit Robberson (vielle), Kim Swatsler (hurdy-gurdy, monochord), David Tayler (oud)

Duración: 63' 11"

Lugar y fecha de grabación: St. Vicent's School for Boys, San Rafael, Canada [julio y noviembre 1995

medieval.org

viernes, 17 de mayo de 2013

Hommage to Ciconia - Ensemble Project Ars Nova

Hommage to Johannes Ciconia (1370-1412)
Ensemble Project Ars Nova

  1. Istampita: Amor per ti sempre
  2. Madrigal: Caçando un giorno
  3. Motet: O Padua, sidus praeclarum
  4. Motet: Regina gloriosa
  5. Virelai: Aler m'en veus
  6. Ballata: Io crido amor
  7. Ballata: O rosa bella
  8. Ballata: Poy che morir
  9. Ballata: Ben che da vui donna
  10. Canon: Le ray au soleyl
  11. Canon: Le ray au soleyl (instrumental interlude)
  12. Canon: Le ray au soleyl (reprise)
  13. Motet: Petrum Marcello Venetum / O Petre antistes inclite
  14. Ballata: Chi nel servir antico
  15. Madrigal: Per quella strada
  16. Madrigal: Una panthera
  17. Ballata: Gli atti col dançar
  18. Virelai: Sus une fontayne
  19. Madrigal contrafactum: O Petre, Christi discipule
  20. Motet: Doctorum principem / Melodia suavissima / Vir mitis
  21. Motet: O virum ominimoda / O lux et decus / O beate Nicholaë
Intérpretes: Michael Collver (countertenor, corno muto), John Fleagle (tenor, harp), Shira Kammen (vielle), Laurie Monahan (mezzosoprano), Crawford Young (lute), Steven Lundahl (slide trumpet); Robert Mealy (vielle)

Duración: 70'

Fecha de grabación:  Abril 1992

medieval.org 
 

viernes, 10 de mayo de 2013

Les Escholiers de Paris. Motets, Chansons et Estampies du XIIIe siècle - Ensemble Gilles Binchois

Les Escholiers de Paris.
Motets, Chansons et Estampies du XIIIe siècle
Ensemble Gilles Binchois - Dominique Vellard


  1. Motet: Cele m'a tolu la vie / Lonc tens a que ne vi m'amie / Et sperabit (2 voices, vielle)
    Motet: Ave deitatis templum mirabile / Cele m'a tolu la vie / Lonc tens a que ne vi m'amie / Et sperabit (3 voices, vielle)
  2. Thibaut de Champagne (Chanson): De ma dame souvenir fait amors lie mon coraige (voice, vielle)
  3. Motet: Cil qui aime et n'est a soi / Quant chantent oisiaus tant seri / Portare (3 voices)
  4. Motet: Puisque bele dame m'eime / Flos filius eius (voice, vielle)
    Motet: Par un matinet l'autrier / He, sire! qui vos vantez / He, bergier! si grant envie / Eius (3 voices, vielle)
  5. Estampie (bagpipes, shawm, rebec, percussion)
  6. Chanson: Dou tres douz non a la virge Marie (voice)
  7. Motet: Mater Dei plena gratia / Mater virgo pia / Eius (3 voices)
  8. Rondeau: N'en puis ma grant joie celer (3 voices, vielle, cittern, percussion)
  9. Motet: Ave virgo regia / Ave gloriosa / Domino (3 voices)
  10. Motet: Viderunt / Viderunt omnes (4 voices)
    Motet: Trois serors sor rive mer (4 voices)
  11. Motet: In seculum viellatoris (2 vielles, cittern)
    Motet: J'ai les maus d'amours / Que ferai biau sire diex / In seculum (2 voices, vielle)
    Motet: In seculum, d'Amiens (3 recorders)
  12. Gillebert de Berneville (Chanson): Haute chose a en amour (2 voices)
  13. Motet: Que ferai biaus sire deus / Ne puet faillir a honour / Descendentibus (2 voices, vielle)
  14. Chanson: Joliz cuers et sovenance (bagpipes, shawm, percussion)
  15. Gace Brulé (Chanson): Douce dame, grez et graces vos rent (3 voices)
  16. La Tierche Estampie Royale (bagpipes, shawm, percussion)
  17. Motet: Li savours de mon desir / Li grant desirs / Non veul mari (recorder, 2 vielles, harp, cittern)
    Motet: Endurez, endurez les dous maus d'amer / Alleluia (4 voices)
  18. Gace Brulé (Chanson): Biaus m'este quant retentit la bruille (voice, transverse flute, vielle)
  19. Motet: Onques n'amai tant com je fui amee / Sancte germane (voice, vielle)
  20. Rondeau: Helas! tant vi de male eure (3 voices)
Intérpretes: Anne-Marie Lablaude (voice, percussion), Susanne Norin (voice), Emmanuel Bonnardot (voice, rebec, vielle), Pierre Hamon (recorders, flute, bagpipes, percussion), Brigitte Lesne (voice, harp, percussion), Dominique Vellard (voice, cittern), Willem de Waal (voice, recorder), Randall Cook (vielle, shawm, recorder)

Duración:  62'

Lugar y fecha de grabación: Iglesia Saint Germain, Grancey-le-Chateau, Côte-d'Or, Francia [Octubre 1992]

medieval.org


viernes, 3 de mayo de 2013

William Shakespeare: Ages of Song (LP) - Martin Best

William Shakespeare: Ages of Song (LP)
Martin Best

    Cara A

  1. (a) Jog On (from Playford's Catch as Catch Can, 1667)
    (b) Carman's Whistle (16th century, mixed sources)
  2. (a) The Fryar and the Nun (from Playford's Dancing Master, 1651)
    (b) New Nothing (from Playford's Dancing Master, 1651)
  3. O Mistress Mine (from Thomas Morley's Consort Lessons, 1599)
  4. Almaine (anon.)
  5. (a) Bonny Sweet Robin (from Thomas Robinson's School of Musicke, 1603)
    (b) Robin Hood and the Tanner (trad.)
  6. (a) Night Peece (from Playford's Dancing Master, 1651)
    (b) Kemp's Jegge or Jig (from the Dancing Master, 1686)
  7. The Willow Song (anon.)
  8. Farewell, Dear Love (from Robert Jones' First Book of Songs and Ayres, 1600)
  9. When Daffodils Begin to Peere (adapted to Anthony Holborne's The Fairy Round)

    Cara B

    PART I
  1. Where the Bee Sucks (Thomas Arne, 1746)
  2. Fife Tune and Last Ballett (Charles Dibdin, 1769)
  3. Come Away, Death (Thomas Arne, 1741)
  4. When That I Was a Little Tiny Boy (Joseph Vernon, 1772)
  5. PART II
  6. Sounds and Sweet Ayres (Guy Woolfenden, 1978)
    (a) Come Unto These Yellow Sands
    (b) Blow, Blow Thou Winter Wind
    (c) You Spotted Snakes

Intérpretes: Martin Best (voice, lute, baroque and classical guitar)
with (cara A)
The Broadside Band: Jeremy Barlow (recorders), Rosemary Thorndycraft (treble, bass, division viols), George Weigand (cittern, orpharion, mandora, division lute), Alastair McLachlan (violin, rebec)
and (cara B, pistas 1-4)
The Barlow Baroque Players: Jeremy Barlow (baroque flute), Alastair McLachlan and John Trussler (baroque violins), Marilyn Sansom (baroque cello), Michael Steer (harpsichord)
and (
cara B, pista 5)
William Bennett (flute), Simon Standage (violin), Eric Hill (guitar), Marilyn Sansom (cello), Daryl Runswick (bass), Stephen Henderson (percussion), Guy Woolfenden (conductor)


Duración:

Fecha de grabación: 1979

medieval.org