Music of the Gothic Era Early Music Consort of London - David Munrow
CD 1 Notre Dame Period - Organa 2 vocum 1. Léonin: Viderunt omnes (voice, choir, bells) 2. Léonin: Alleluya Pascha nostrum (voice, choir, bells) 3. Léonin: Gaude Maria Virgo (voice, choir, bells) 4. Léonin: Locus iste (voice, choir, bells) Notre Dame Period - Organa 4 vocum 5. Pérotin: Viderunt omnes (3 voices, choir, organ) 6. Pérotin: Sederunt principes (choir, organ) Ars antiqua - Motetti 7. Alle, psallite cum luya (3 voices, shawm, tabor) 8. Amor potest (2 voices, shawm) 9. S'on me regarde (2 voices, fiddle, mandora, harp, psaltery) 10. In mari miserie (3 voices, bells) 11. On parole de batre (3 voices, tabor) 12. En mai, quant rosier sont flouri (3 voices, recorder, organ, fiddle, lute) 13. Dominator Domine (3 voices, bells) 14. El mois de mai (2 voices, rebec, recorder, fiddle, lute) 15. O mitissima (3 voices, shawm, tabor)
CD 2 1. Hoquetus, 3 voc. 1. Neuma (2 cornetts, shawm) 2. Virgo (2 cornetts, shawm) 3. In seculum longum (2 fiddles, rebec, harp) 4. In seculum viellatoris (2 fiddles, rebec, harp) 5. In seculum breve (organ, recorder, rebec) 6. In seculum d'Amiens longum (harp, mandora, fiddle) 7. In seculum (harp, mandora, fiddle) 2. Petrus de Cruce: Aucun ont trouvé (2 voices, fiddle) 3. Adam de la Halle: De ma dame vient (2 voices, fiddle) 4. Adam de la Halle: J'os bien a m'amie parler (2 voices, recorder, fiddle) 5. La mesnie fauveline (3 voices) Ars nova - Motetti 6. Quant je le voi (4 voices, shawm, tabor) 7. Zelus familie (3 voices) 8. Quasi non ministerium (3 voices, fiddle) 9. Philippe de Vitry: Impudenter circumivi (2 voices, 2 fiddles) 10. Philippe de Vitry: Cum statua (2 voices, shawm) 11. Bernard de Cluny: Pantheon abluitur (3 voices, shawm, trumpet) 12. Clap, clap, par un matin (2 voices, psaltery, mandora, fiddle, harp) 13. Henri Gilles de Pusiex: Ida capillorum (2 voices, fiddle, cornemuse) 14. Henri Gilles de Pusiex: Rachel plorat filios (2 voices, shawm) 15. Lés l'ormel a la turelle (3 voices) 16. O Philippe, Franci qui generis (2 voices, shawm) 17. Febus mundo oriens (3 voices) 18. Machaut: Lasse! comment oublieray (3 voices) 19. Machaut: Qui es promesses (2 voices, shawm) 20. Machaut: Hoquetus David (2 cornetts, shawm, bells) 21. Machaut: Christe, qui lux es (2 voices, trumpet, shawm) 22. Degentis vita (2 voices, 2 fiddles, lute, harp) 23. Inter densas deserti (2 voices, fiddle, lute) 24. Philippe Royllart: Rex Karole, Johannis genite (2 voices, 2 cornetts, shawm)
Intérpretes: James Bowman (countertenor), Charles Brett (countertenor), David James (countertenor), Rogers Covey-Crump (tenor), Paul Elliott (tenor), Martyn Hill (tenor), John Nixon (tenor), John Potter (tenor), Geoffrey Shaw (bass), Oliver Brookes (fiddle), Eleanor Sloan (rebec, fiddle), Nigel North (rebec), James Tyler (lute, mandora), Gillian Reid (bells, psaltery), Christopher Hogwood (harp, organ), David Corkhill (bells, organ, nakers, tabor), Michael Laird (cornett), Iaan Wilson (cornett), Alan Lumsden (cornett, slide trumpet), David Munrow (recorders, shawms, cornemuse)
Duración: 139'
Lugar y fecha de grabación: Londres, [Abril y Octubre 1975]
Amors e Cansó Trobadors de la Corona d'Aragó Capella de Ministrers – Carles Magraner, dir.
Raimon de Miraval 1. Bèl m'es q'ieu chant Berenguer de Palou 2. Bona dona 3. De la gensor qu'om vey' 4. Ab la fresca clardat 5. Totz temoros e duptans 6. Dona, la genser qu'om veya 7. Aital dona 8. Tant m'abelis Ponç d'Ortafà 9. Si ai perdut mon saber Guiraut Riquier 10. Pus astres no m'es donatz Anon., MS St Joan de les Abadesses 11. Era us preg 12. S'anc vos ame 13. Amors, merce no sia 14. Ara lausetz, lauset Matieu de Caersí 15. Tant suy marritz
Intérpretes: Marta Infante (mezzosoprano), Jordi Ricart (baritone), David Antich (flutes), Carles Magraner (viola/vieille), Juan M. Rubio (oud, harp, zamfogne), Efrén López (oud, zamfogne, medieval lute, gittern), Pau Ballester (percussion) Carles Magraner, cond.
Duración: 74' 59"
Lugar y fecha de grabación: Saló Alfons el Magnànim, Centre Cultural La Beneficencia , Valencia, España [febrer0-2008]
Cantigas de Toledo Alfonso X el Sabio 1221-1284 Grupo de Música Antigua – Eduardo Paniagua, dir.
Alfonso X el Sabio (attrib.): Cantigas de Santa María 1. CSM 2: « Muito devemos, varões, loar a Santa Maria » 2. CSM 116: « Dereit' é de lume dar a que Madr' é do lume » 3. CSM 76: « Quenas sas figuras da Virgen partir » (instr.) 4. CSM 212: « Tod' aquel que pola Virgen quiser do seu ben fazer » 5. CSM 12: « O que a Santa Maria mais despraz » 6. CSM 72: « Quen diz mal » (instr.) 7. CSM 122: « Miragres muitos pelos reis faz Santa Maria » 8. CSM 69: « Santa Maria os enfermos sãa »
Intérpretes: Grupo de Música Antigua: Paula Vega (soprano, coro), Luis Vincent (countertenor, coro), Cesar Carazo (tenor, coro, viola de brazo), Wafir Sheik (laúd arab), Luis Delgado (zanfona, vihuela de peñola, dotar (laúd de 2 cuerdas), santur, tromba marina, pandero cuadrado, bendir, tambor charro), Eduardo Paniagua (psalterio, flautas a bisel, nay, fahl (flauta árabe metálica), chirimia, cromorno, darbuga, tar, pandero, campanas, platillos, cimbalos, sonajas, cascabeles, ajorcas) Mariano Alises (tenor en coros) Eduardo Paniagua, dir.
Duración: 59' 20"
Lugar y fecha de grabación: Studio "El Cometa", Torrelodones, España [Junio-1994]
Speculum amoris Lyrique d'Amour médieval, du Mysticisme à l'érotisme La Reverdie
Anon., Italy, 13th c.; Cortona Bibl. Communale e dell'Academia Etrusca, MS 91: 1. Lauda novella sia cantata John Forest, London, British Library, MS Add. 57950 (Old Hall MS): 2. Qualis est dilectus tuus Anon., England, 13th c.; Oxford, Corpus Christi College, MS 59: 3. Edi beo thu, hevene quene Anon., France, 13th c.; Florence, Bibliotheca Medicea Laurenziana, MS Pluteus 29.4: 4. Procurata odium Anon., England, end 14th c.; Cambridge, Gonville and Caius College, MS 512/543: 5. Patrie pacis Anon., England, mid 15th c.; Cambridge, Trinity College Library, MS 6.3.58: 6. Eya martyr Stephane Anon., Roma, Bibliotheca Vaticana, Codice Vaticano Latino, 3251: Carmina Vaticana 7. Dulcis amor Anon., France, 13th c.; Montpellier, Bibliothèque de la Faculté de Médecine, MS H 196: 8. Acunt vont - Amor qui cor - Kyrie Pierre des Molins; Strasbourg, Bibliothque de la Ville, MS 222, C. 22: 9. Amis tout dous Johannes Simon Hasprois; Chantilly, Musée Condé, 1047: 10. Ma douce amour Anon., France mid 14th c.; copie Coussemaker de Strasbourg, Bibliothèque de la Ville, MS 222, C. 22: 11. Tres douls amis Francesco Landini; Florence, Biblioteca Nazionale Centrale, MS Panciatichiano 26: 12. Questa fanciulla Amor Anon.; Paris, Bibliothèque Nationale, MS fonds nouv. acq. frc 6771: Codex Reina 13. Questa fanciulla Amor Anon., Italy, mid 14th c.; Florence, Biblioteca Nazionale Centrale, MS Panciatichiano 26: 14. Quan je voy Magister Piero; Florence, Biblioteca Nazionale Centrale, MS Panciatichiano 26: 15. Con dolce brama Richard Neville; Oxford Bodleian Library MS Ashmole 191: 16. Go hert Oswald von Wolkenstein; Innsbruck, Universitätsbibliothek, Wolkenstein Hanschrift B: 17. Ain graserin Anon., England, 14th c.; Cambridge, University Library, MS add. 5843: 18. Trew on wam ys all my tryst
Intérpretes: Elisabeta de' Mircovich (voice, rebec, medieval harp, portative organ), Doron David Sherwin (voice, cornett, percussion), Claudia Caffagni (lute, voice, perrcussion) Livia Caffagni (recorder, fiddle, voice), Paolo Zerbinatti (symphonia)
Duración: 51' 30"
Lugar y fecha de grabación: San Vigilio, Col San Martino, Treviso, Italia [03/1992]
Music of the Gothic Era
