Dame de Deuil
Musical Offerings for Marguerite of Austria (1480-1530)
La Morra - Michal Gondko & Corina Marti, dirs.
Anon.
1. Triste suis de vostre langheur
Pierre de La Rue
2. A vous non autre servir habandonné
Francisco de la Torre
3. Alta (instr.)
Anon.
4. Se je souspire / Ecce iterum novus dolor
Pierre de La Rue
5. Pour ung jamais ung regret me demeure
Mijn hert altijt heeft verlanghen
Alexander Agricola
6. Si dedero (instr.)
Jacob Obrecht
7. Si sumpsero (instr.)
Antoine Brumel
8. Tous les regretz quelques furent au monde
Anon.
9. Fama malum (instr.)
Soubz ce tumbel (Épitaphe de l'amant vert)
Me fauldra-il tousjours ainsi languir
Anon., arr. La Morra
10. Bassedanse: La verdelette (instr.)
Bassedanse: La danse de Cleves (instr.)
Josquin Desprez
11. Plus nulz regretz grans, moyens ne menuz
Intérpretes: Ensemble La Morra: Els Janssens (voice), Corina Marti (flutes, clavicytherium), Michal
Gondko (lutes), Dani Pelagatti (douçaine), Uri Smilansky (viol),
Elizabeth Rumsey (viol), Brigitte Gasser (viol)
Michal Gondko & Corina Marti, dirs.
Duración: 62' 23"
Lugar y fecha de grabación: Heiligkreuz-Kirche, Binningen, Switzerland [enero/2005]
medieval.org
- The Romance of the Rose
- Feminine Voices from Medieval France
Heliotrope - Joyce Todd dir.
- Estampie Roine Blance
- Contessa de Die: A chantar m'er de so qu'ieu non volria
- Three songs from Guillaume de Dole
- Siet soit bele aye (melody: Joyce Todd)
- La bele doe siet au vent (melody adapted: Gace Brulé)
- Quant revient la sesons (melody adapted: Gace Brulé)
- Estampie after Guiraut Riquier
- Castelloza: Per joi que d'amor m'avegna (melody: Guiraut de
Bornelh)
- Bele Yolanz en ses chambres seoit (chanson de toile)
- Bele Doette as fenestre se siet (chanson de toile)
- Estampie Marcabru
- Contessa de Die: Estat ai en grue cossirier (melody: Raimon de
Miraval)
- Estampie Bele li gossi
- Anon: Jherusalem, grant damage me fais (melody: Gace
Brulé)
Intérpretes: Joyce Todd (soprano, percussion, harp), Natalie Cox
(harp), Shira Kammen (vielle, rebec), Kit Robberson (vielle), Kim
Swatsler (hurdy-gurdy, monochord), David Tayler (oud)
Duración: 63' 11"
Lugar y fecha de grabación: St. Vicent's School for Boys, San Rafael, Canada [julio y noviembre 1995
medieval.org
- Hommage to Johannes Ciconia (1370-1412)
- Ensemble Project Ars Nova
- Istampita: Amor per ti sempre
- Madrigal: Caçando un giorno
- Motet: O Padua, sidus praeclarum
- Motet: Regina gloriosa
- Virelai: Aler m'en veus
- Ballata: Io crido amor
- Ballata: O rosa bella
- Ballata: Poy che morir
- Ballata: Ben che da vui donna
- Canon: Le ray au soleyl
- Canon: Le ray au soleyl (instrumental interlude)
- Canon: Le ray au soleyl (reprise)
- Motet: Petrum Marcello Venetum / O Petre antistes inclite
- Ballata: Chi nel servir antico
- Madrigal: Per quella strada
- Madrigal: Una panthera
- Ballata: Gli atti col dançar
- Virelai: Sus une fontayne
- Madrigal contrafactum: O Petre, Christi discipule
- Motet: Doctorum principem / Melodia suavissima / Vir mitis
- Motet: O virum ominimoda / O lux et decus / O beate Nicholaë
Intérpretes: Michael Collver (countertenor, corno muto), John Fleagle
(tenor, harp), Shira Kammen (vielle), Laurie Monahan (mezzosoprano),
Crawford Young (lute), Steven Lundahl (slide trumpet); Robert Mealy
(vielle)
Duración: 70'
Fecha de grabación: Abril 1992
medieval.org
- Les Escholiers de Paris.
- Motets, Chansons et Estampies du XIIIe siècle
Ensemble Gilles Binchois - Dominique Vellard
- Motet: Cele m'a tolu la vie / Lonc tens a que ne vi m'amie /
Et sperabit (2 voices, vielle)
Motet: Ave deitatis templum mirabile / Cele m'a tolu la vie /
Lonc tens a que ne vi m'amie / Et sperabit (3 voices, vielle)
- Thibaut de Champagne (Chanson): De ma dame souvenir fait amors
lie mon coraige (voice, vielle)
- Motet: Cil qui aime et n'est a soi / Quant chantent oisiaus tant
seri / Portare (3 voices)
- Motet: Puisque bele dame m'eime / Flos filius eius (voice,
vielle)
Motet: Par un matinet l'autrier / He, sire! qui vos vantez /
He, bergier! si grant envie / Eius (3 voices, vielle)
- Estampie (bagpipes, shawm, rebec, percussion)
- Chanson: Dou tres douz non a la virge Marie (voice)
- Motet: Mater Dei plena gratia / Mater virgo pia / Eius (3
voices)
- Rondeau: N'en puis ma grant joie celer (3 voices, vielle,
cittern, percussion)
- Motet: Ave virgo regia / Ave gloriosa / Domino (3 voices)
- Motet: Viderunt / Viderunt omnes (4 voices)
Motet: Trois serors sor rive mer (4 voices)
- Motet: In seculum viellatoris (2 vielles, cittern)
Motet: J'ai les maus d'amours / Que ferai biau sire diex / In
seculum (2 voices, vielle)
Motet: In seculum, d'Amiens (3 recorders)
- Gillebert de Berneville (Chanson): Haute chose a en amour (2
voices)
- Motet: Que ferai biaus sire deus / Ne puet faillir a honour /
Descendentibus (2 voices, vielle)
- Chanson: Joliz cuers et sovenance (bagpipes, shawm, percussion)
- Gace Brulé (Chanson): Douce dame, grez et graces vos rent
(3 voices)
- La Tierche Estampie Royale (bagpipes, shawm, percussion)
- Motet: Li savours de mon desir / Li grant desirs / Non veul
mari (recorder, 2 vielles, harp, cittern)
Motet: Endurez, endurez les dous maus d'amer / Alleluia (4
voices)
- Gace Brulé (Chanson): Biaus m'este quant retentit la
bruille (voice, transverse flute, vielle)
- Motet: Onques n'amai tant com je fui amee / Sancte germane
(voice, vielle)
- Rondeau: Helas! tant vi de male eure (3 voices)
Intérpretes: Anne-Marie Lablaude (voice, percussion), Susanne
Norin (voice), Emmanuel Bonnardot (voice, rebec, vielle), Pierre
Hamon (recorders, flute, bagpipes, percussion), Brigitte Lesne
(voice, harp, percussion), Dominique Vellard (voice, cittern),
Willem de Waal (voice, recorder), Randall Cook (vielle, shawm,
recorder)
Duración: 62'
Lugar y fecha de grabación: Iglesia Saint Germain, Grancey-le-Chateau, Côte-d'Or, Francia [Octubre 1992]
medieval.org
- William Shakespeare: Ages of Song (LP)
- Martin Best
Cara A
- (a) Jog On (from Playford's Catch as Catch Can, 1667)
(b) Carman's Whistle (16th century, mixed sources)
- (a) The Fryar and the Nun (from Playford's Dancing Master,
1651)
(b) New Nothing (from Playford's Dancing Master, 1651)
- O Mistress Mine (from Thomas Morley's Consort Lessons, 1599)
- Almaine (anon.)
- (a) Bonny Sweet Robin (from Thomas Robinson's School of
Musicke, 1603)
(b) Robin Hood and the Tanner (trad.)
- (a) Night Peece (from Playford's Dancing Master, 1651)
(b) Kemp's Jegge or Jig (from the Dancing Master, 1686)
- The Willow Song (anon.)
- Farewell, Dear Love (from Robert Jones' First Book of Songs
and Ayres, 1600)
- When Daffodils Begin to Peere (adapted to Anthony Holborne's
The Fairy Round)
Cara B
PART I
- Where the Bee Sucks (Thomas Arne, 1746)
- Fife Tune and Last Ballett (Charles Dibdin, 1769)
- Come Away, Death (Thomas Arne, 1741)
- When That I Was a Little Tiny Boy (Joseph Vernon, 1772)
PART II
- Sounds and Sweet Ayres (Guy Woolfenden, 1978)
(a) Come Unto These Yellow Sands
(b) Blow, Blow Thou Winter Wind
(c) You Spotted Snakes
Intérpretes: Martin Best (voice, lute, baroque and classical guitar)
with (cara A)
The Broadside Band: Jeremy Barlow (recorders), Rosemary Thorndycraft
(treble, bass, division viols), George Weigand (cittern, orpharion,
mandora, division lute), Alastair McLachlan (violin, rebec)
and (cara B, pistas 1-4)
The Barlow Baroque Players: Jeremy Barlow (baroque flute), Alastair
McLachlan and John Trussler (baroque violins), Marilyn Sansom
(baroque cello), Michael Steer (harpsichord)
and (cara B, pista 5)
William Bennett (flute), Simon Standage (violin), Eric Hill (guitar),
Marilyn Sansom (cello), Daryl Runswick (bass), Stephen Henderson
(percussion), Guy Woolfenden (conductor)
Duración:
Fecha de grabación: 1979
medieval.org
