Secular Song and Dances from the Middle Ages. French and English instrumental dances in the Middle-Ages Modo Antiquo. Bettina Hoffmann
CD-5: French and English instrumental dances in the Middle-Ages
English Dances
Anon., London, British Library, Ms Harley 978, f.
8v-9r
Ductia
Anon., London, British Library, Ms, add. 28550 (Robertsbridge
Codex), f. 43v
Perone
Anon., Oxford, Bodleian Library, Douce 139
Nota
Anon., London, British Library, Ms Harley 978, f.
9r/I
Ductia I
Anon., London, British Library, Ms Harley 978, f.
9r/II
Ductia II
Anon., London, British Library, Ms add. 28550 (Robertsbridge
Codex), f. 43r
(Fragment)
Anon., London, British Library, Ms add. 28550 (Robertsbridge
Codex), f. 43r
Ductia
French Dances
Anon., Paris, Bibliothèque Nationale, Ms f. f.
844
La Prime Estampie Royal
La Seconde Estampie Royal
La Tierche Estampie Roial
La Quarte Estampie Royal
La Quinte Estampie Real
La Seste Estampie Real
La Septime Estampie Real
La Uitime Estampie Real
Dansse Real
(without title)
Danse
Secular Song and Dances from the Middle Ages. Dança Amorosa, Italian Dances from the Middle-Ages Modo Antiquo. Bettina Hoffmann
CD-6: Dança Amorosa, Italian Dances from the Middle-Ages
Anon.
Ghaetta
Saltarello
La Manfredina, Rotta della Manfredina
Chançoneta Tedescha
Isabella
Saltarello
Saltarello
Chançoneta Tedescha
Chançoneta Tedescha
Principio di virtù
Dança amorosa, suo Trotto
Chominiciamento di Gioia
Chançoneta Tedescha
Trotto
Bel fiore dança
Lamento di Tristano, sua Rotta
Intérpretes:Modo Antiquo CD 5: Federico Maria Sardelli (recorders, cromorns, bombarda,
flute, flauto di corno, rauschpfeiffe), Ugo Galasso (recorders,
bombarda, chalumeau, pipe and tabor, ciaramelle), Paolo Fanciullacci
(cornet, bagpipe, olifant), Maro Morini (tromba di tirarsi), Bettina
Hoffmann (ribeca, viella, tromba marina), Gian Luca Lastraioli
(citola, luth), Daniele Poli (luth, harp, zither, simphonia), Luca
Brunelli Felicetti (drums, naccari, cembali, bells, scacciapensieri),
Massimo Risaliti (drums, harness-bells, triangle, hand bells) Modo Antiquo CD 6: Federico Maria Sardelli (recorders, gemshorn, shawm,
crumhorn), Ugo Galasso (recorders, shawm, crumhorn, reed-pipe),
Bettina Hoffmann (fiddle, rebec, tromba marina), Gian Luca Lastraioli
(cittern, ud), Annaberta Conti (portative organ), Paolo Fanciullacci
(cornamuse (mute cornet), bagpipes), Susanna Giannò (harp),
Luca Brunelli Felicetti (drums, darbukka, nakers, bells, tambourin,
Jew's harp), Massimo Risaliti (drum, crotales, jingles)
Bettina Hoffmann, dir.
Duración: 66'
08" + 58' 43"
Lugar y fecha de grabación: CD 5: Chiesa della Compagnia, Calenzano, Florence, Italy
[septiembre 1999]
CD 6 Santa Maria Casa, Vecchio, San Casciano, Italy [abril 1994]
Canciones amorosas del Renacimiento Europeo Ars Nova
Hans Leo Hassler 01. Jungfrau, dein schon Gestalt Clement Jannequin 02. La plus belle Cancionero de Upsala 03. Soy serranica 04. Alta estaba la peña Ambrose Lupo? 05. Pavana Domenico María Ferrabosco 06. Io mi son giovinettaHans Leo Hassler 07. All Lust und Freud Pierre Bonnet 08. Françion vint l'autre jour Jacob Arkadelt 09. Il bianco e dolce cigno 10. Je ne suis pas si sot John Dowland 11. Come again Josquin Desprez 12. Mille regrets Juan del Encina 13. Congoxa más que cruel Marco del L'Aquila 14.Ricercare Clemens (non Papa) 15. Jaquin, Jaquet Francis Pilkingtom 16. Rest, sweet nymphs Melchior Franck 17. Wie weh tut mir mein Scheiden Thomas Morley 18. I love, alas, I love thee François Roussel 19- Mon coeur a vous Cancionero de Palacio 20. Tres morillas m'enamoran Clement Jannequin 21. Au joli jeu Thomas Morley 22. My bonny lass she smileth Intérpretes: Ars Nova: Lourdes Ambriz, soprano: Magda Zalles, contralto; Mario Iván Martínez, tenor; Alejandro Coreño, tenor; Martín Luna, bajo; Invitado: Anonio Corana , laúd y vihuela Duración: Fecha y lugar de la grabación: Sala Nezahualcóyotl del Centro Cultural Universitario de la Universidad Nacional Autónoma de México [agosto 2002]
