- Ars Nova - Il Trecento
- Ensemble Réal - Pascal Coté, dir.
Anon., 14th c.
- La Manfredina
Estampie: La Rotta
Francesco Landini
- Virelai: Adiu, adiu, dous dame
Anon., 14th c.
- Estampie: Trotto
- Ballade: Per troppo fede
- Estampie: Isabella
- Ballade: Non perch'i speri
- Estampie: Ghaetta
- Ballade: Gli atti col dançar
- Estampie retrouvé
Francesco Landini
- Ballade: El mie dolce sospir
Jacopo da Bologna
- Madrigal: In verde prato
Anon., 14th c.
- Lamenti di Tristano
La Rotta
Francesco Landini
- Nessun ponga sperança
Lorenzo da Firenze
- Caccia: A poste messe
Anon., 14th c.
- Ballade: Amor mi fa cantar
Francesco Landini
- Ballade: Cara mie donna
Intérpretes: Ensemble Réal : Pascal Coté (flutes, voice, bagpipe, shawm, bladder pipe, percussion), Laura Zimmermann (voice, bowed fiddle, percussion), Miriam Andersen (voice, harp, percussion), Christophe Tellart (chifonie, hurdy-gurdy, bagpipe), Frédéric Cottereau (lute, flutes, voice) - Pascal Coté, dir.
Duración: 52' 54"
Lugar y fecha de graación: Église de Flavigny, Dijon, Francia [septiembre 1997]
medieval.org
- Zeit der dämmerung - Time of the dawn
- Noch heute gilt das mitelalter als dunkels ... - Still today the middle-ages are said to have been dark ...
Various Ensemble
Anon., gregorian
- Introitus: Misericordia Domini
Anon., gregorian
- Hymn: Veni Creator
Hildegard von Bingen
- O spectabilis viri
Anon., cistercian
- Tune: Salve Regina
Anon., cistercian
- Hymn: Ave maris stella
Anon.
- Estampie
Walther von der Vogelweide
- Unter der linden
Anon., Carmina burana
- Nomen a solemnibus
Neidhart von Reuenthal
- Sing ein guldlein
Anon.
- Alle-psallite-luya
Tanhuser
- Steter dienest der ist gvot
Anon., Ludus Danielis
- Ad honorem tui Christi
Anon.
- Lamento di Tristano
Anon.
- Trotto
Anon., Bohemia
- Caldy Valdy
Anon.
- Kyrie Rondello
John Dunstable
- Sancta Maria
Guglielmo Ebreo
- Amoroso
Guillaume Dufay
- Je vueil chanter
Anon., Rostocker Liederbuch
- O maria rogatrix
Heinrich Isaac
- Innsbruck, ich muß dich lassen
Anon.
- Passamezzo antico "Caminata"
Ludwig Senfl
- Es hett ein bidermann ein weib
Diego Ortiz
- Recercada primera
Leonhard Lechner
- Das erste Kapitel des Hohenliedes Salomonis
Orlando di Lasso
- Salve Regina
John Coperario
- The Seconds of the Lords
Intérpretes: Choralschola de Benediktinerabtei Königmünster; Choralschola der Benediktinerabtei Münsterschwarzach, Godehard Joppich; Heinrich–Isaac–Ensemble; Hans-Georg Renner (dir); Münchner Ensemble für frühe Musik; Ensemble Les Haulz et les Bas; Capella Antiqua München; Konrad Ruhland (dir); Ensemble für Frühe Musik Augsburg; I Ciarlatani; Schola Cantorum Gedanensis; Ensemble Helga Weber, Ensemble Hofkapelle.
Duración: 79' 35"
Lugar y fecha de grabación:
medieval.org
- A Golden Treasury of Mediæval Music
- Sine Nomine
Alfonso le Sabio (attr.), : Cantigas de Santa Maria
- Cantiga 153: Quen quer que tenen desden
Anon., French/Scottish, 13th c. Vespers Responsory for St. Nicholas
- Ex cujus tumba; V. Catervatim
Anon., England, late 13th c.
- Estampie
Anon., England, 14th c., Oxford, New College, MS. 362, Item XXVI, ff. 90v-91:
- Rosa delectabilis / [Regali ex progenie] / Regalis exoritur
Anon. (music), 13th c. / Richard de Ledrede
- Peperit virgo
Anon., Scotland, Early 16th c.
- My heartly service
John Dunstable
- Marian Antiphon, Advent & Christmas: Alma redemptoris mater
Colin Muset
- Sire cuens, j'ai vielé
Anon., France 14th c.
- Hymn for Advent Vespers: Conditor alme siderum
Solage, Chantilly
- Corps feminin
Gilles Binchois
- Je ne vis oncques la pareille
Anon., Italy, ca 1400
- Saltarello
Anon., Italy, 14th c.
- Io son un pellegrin
Wolfram von Eschenbach
- Titurel fragment: Sus Lâgen sie unlange
Anon., Switzerland, late 14th c.
- Ad regnum epulentum
Oswald von Wolkenstein
- Gesegnet sey die frucht
Anon., Silesia, ca 1485
- Nu bitt wir den heiligen geist
Suonhart (?), 9th or 10th c.Petruslied: Unsar trohtin hat farsaltAnon., Silesia, ca 1485
- Der notter schwanctz
Hildegard von Bingen
- Symphonia virginum: O dulcissime amator
Anon., Ireland, ca 1150-1200
- Cornacus scripsit
Intérpretes; Sine Nomine Ensemble for Medieval Music : Holly Cluett (soprano), Jay Lambie (tenor), Bryan Martin (baritone, lute), Randall Rosenfeld (vielle, gittern, flute, recorder), Andrea Budgey (harp, recorder, soprano, durabukka)
Duración: 75' 30"
Lugar y fecha de grabación: Valley Recordings, Littleton-on-Severn [junio 1995]
medieval.org
- Sweet Music for Bathing
- Sublime sounds for quiet moments
Sara Stowe et al.
Thomas Morley (1557-1602)
- O Mistress mine
George Frideric Handel (1685-1759)
- Sarabande from Suite in E
James Hart (1647-1718)
- When first I saw fair Cecilia's face
Anon,. 17th c.
- The gentle lute
Thomas Campion (1567-1623)
- When Laura smiles
Philippe Gaubert (1879-1941)
- Madrigal
George Frideric Handel
- Air from Water Music
Martin Codax (fl. 13th century)
- Waves that I came to see
John Bull (c. 1562-1628)
- Duke of Brunswick's Alman
Anon, 17th c.
- Light of love
John Banister (c. 1625-1679)
- Beneath the Myrtle Shades
William Byrd (1543-1623)
- My Lady Nevell's Grounde
George Frideric Handel
- Minuet from Water Music
Jacob Van Eyck (1589-1657)
- Derde: Doen Daphne d'over
John Thomas (1826-1913)
- Love's fascination
Holborne (fl. 1584-1602)
- My Linda Anthony
Nicholas Lanier (1588-1666)
- Mark how the blushful morn
Henry VIII (1491-1547)
- Greensleeves
Robert Johnson (c. 1583-1633)
- Hark, hark the lark
Martin Codax
- Sea waves of Vigo
Intérpretes: Sara Stowe, Matthew Spring, Martin Souter, Oxford Baroque, Piers Adams, Elinor Bennett
Duración: 62' 22"
Lugar y fecha de gración: ? [2004 ]
medieval.org
