Instruments of the Middle Ages and Renaissance - The Early Music Consort - David Munrow .

Instruments of the Middle Ages and Renaissance
    The Early Music Consort - David Munrow, dir.
  
CD 1

       Woodwind

      Anon., Italy, 14th c.
   1. Saltarello
     Anon., Syria, Trad.
   2. Sheperd's tune
     Anon., Italy, 14th c.
   3. Saltarello
    Guillaume de Machaut
      Ballade: Dame se vous m'estes
    Anon., France, 13th c.: Chansonnier Cangé
   4. Pastourelle: Au temps d'aost
    Anon., France, 13th c.: Chansonnier Cangé
   5. Chanson à refrain: A prisai qu'en chantant plour
   Master Alexander
   6. Minnesinger melody: Owe daz nach liebe gat
   Thibaut de Navarre
   7. Chanson pieuse: Dou tres douz non a la Virge Marie
    Jehannot de Lescurel
   8. Virelai: Gracïeusette
    Guiraut d'Espanha de Toloza
   9. Dansa: Ben volgra, s'esser poges
    Anon., ca 1300
  10. English Te Deum
    Colin Muset
  11. Chansonnette: Quant je voy yver retorner

      Keyboard

     Vincenzo da Rimini
  12. Madrigal: Ay schonsolato ed amoroso
     Anon., England, ca 1320: Robertsbridge fragment
  13. Estampie
    Jehan d'Esquiri
  14. Chanson: Joliveté et bone amor
    Conrad Paumann
  15. Ellend du hast
     
     Brass

     Hermann, monk of Salzburg
  16. Fanfare: Untarn slap tut den sumer wol
    Guillaume Dufay
      Fanfare: Ad modum tubae
    Gilbert de Berneville
  17. Ballade: De moi doloreus vos chant
     Hermann, monk of Salzburg
      Das Nachthorn
     Anon., Germany 1349
      Geisslerlied: Maria muoter rein¨ maït
     Hermann, monk of Salzburg
      Der trumpet

   Strings

    Anon., France, 13th c.: Chansonnier Cangé
  18. Lai: Qui porroit un guierredon
    Tassin (attr.)
      Dance tune
    Anon., 11th c.
  19. Goliard melody: O Roma nobilis
    Anon., Ornkey Isles, 12th c.
  20. Hymn to St. Magnus: Nobilis humilis
    Jacopo da Bologna
  21. Madrigal: Tanto soavamente
  22. Madrigal: Di nuovo é giunto
   Thibaut de Blason
  23. Chanson: Amours que porra
   Alfonso el Sabio (attr.): Cantigas de Santa Maria
  24. Cantiga 249: Aquel que de voontade Santa Maria servir, 
   Guillaume de Machaut
  25. Virelai: Quant je sui mis
   Anon. 13th c.
  26. English Dance
   Anon., France, 13th c.
  27. La Septime estampie real
   Francesco Landini
  28. Ballata: Poi che da te mi convien
   Guillaume de Machaut
  29. Virelai: Comment qu'a moy
   Anon., France, early 14th c.: Roman de Fauvel
  30. Improvised fanfare
      Motet: Quant ie le voy - Bon vin - Cis chans veult boire
     
   CD 2

  Percussion (medieval and renaissance)
    
  Samuel Voelckel: Newe touche weltliche
  31. Courante I
      Courante II
      Curtal - Tielman Susato
  32. Chanson: Ce qui souloit
      Courtaut
      Giorgio Mainerio: Il Primo Libro di Balli 1578
  33. Caro ortolano
      Johann Schein: Banchetto Musicale 1617
  34. Padouana
      Antonio Gardane: Rhaw's bicinia Gallica et latina 1545
  35. Bicinium: Le cuer de vous
     Guillaume le Heurteur: Rhaw's bicinia Gallica et latina 1545
  36. Bicinium: Mon petit cueur
     Michael Praetorius: Terpsichore 1612
  37. Branle double I
      Branle double II
      Branle double III
    Claudin de Sermisy: Attaingnant's Second Book: Chansons musicales 1633
  38. Chanson: Amour me poingt
    Guillaume le Heurteur: Attaingnant's Second Book: Chansons musicales 1633
  39. Chanson: Hellas ! Amour
    Anthony Holborne: Pavans, Galliards, Allmains and other short aeirs 1599
  40. The Fairie Rounde

      Keyboard

    Pedro de Soto
  41. Entrada réal
    Conrad Paumann: Fundamentum
  42. (a) Prelude: Ascensus simplex
      Regal - Anon., Germany, 15th c.: Buxheim Orgelbuch
      (b) Min Hertz hat sich seb gefröwet
    Gionanni Salvatore, Naples MS
  43. Toccata
    Anon., 16th c.: Dublin Virginal Book c. 1570
  44. Variation on the Romanesca
    Giorgio Mainerio: Il Primo Libro di Balli 1578
  45. Ballo Francese

    Brass

     Claudio Monteverdi: Orfeo 1607
  46. Toccata
        Toccata
     Heinrich Biber: Sonata for trombone, two violins and continuo
  47. Adagio and Allegro
     Michael Praetorius: Musae Sionae IV
      Lobt Gott ihr Christen alle gleich
     Girolamo Frescobaldi: Canzoni da sonare, 1634
  48. Canzona for "due canti"
     Pierre de Machincourt: Rhaw's bicinia Gallica et latina 1545
  49. Bicinium "Amor organ"
     Girolamo Frescobaldi: Canzoni da sonare, 1634
  50. Canzona Quarta for "basso solo"
      
 Strings

      John Dowland
  51. Orlando Sleepeth
      Thomas Mace: Musick's Monument 1676
  52. A Fancy - Prelude or Voluntary
      Giorgio Mainerio: Il Primo Libro di Balli 1578
  53. Ballo Anglese
      Anthony Holborne: The Cittharn Schoole
  54. Galliarde for cittern and bass
      Alessandro Piccini: Intavolatura di Liuto, et di Chitarrone
  55. Toccata prima
     John Dowland, Braye bandora MS, c. 1600:
  56. Galliard
     Jane Pickering's Lute Book
  57. Duet "Le Rossignol"
     Luis de Milán: El Maestro, 1536
  58. Fantasia XI
    Anon.: Braye Lute Book c. 1560
  59. Pavana (Variation on the Romanesca)
      (a) Viol (consort) - William Byrd:
  60. Fantasy in four parts
    Thomas Ford:
      Duet "Forget me not"
    Anon., 16th c.
  61. La Volta

     

Intérpretes: The Early Music Consort of London . Andrew van der Beek (alto cornamuse, alto crumhorn, bass curtal, tenor kortholt, great-bass rackett, alto recorder, great-bass recorder, soprano rauschpfeife), Paul Bernard (organ), Roger Brenner (sackbutt, tenor sackbutt), Oliver Brookes (bass crumhorn, bowed lyre, alto rauschpfeife, bass rebec, bass recorder, tenor recoder, tromba marina, viol, bass viol, violone), David Corkhill (dulcimer, side drum, kettledrums, nakers, tabor, tambourin, mediaeval triangle with rings, xylophone), Christopher Hogwood (fretted clavichord, harp, irish harp, harpsichord, hurdy-gurdy, organ, portative organ, regal, tabor, virginal), Trevor Jones (bass viol), Michael Laird (buisine, clarion, cornett, alto cornett, mediaeval cornett, soprano sackbutt, natural trumpet), Alan Lumsden (cowhorn, tenor cornett, tenor flute, quart-bass rackett, quart-bass recorder, soprano recorder, tenor sackbutt, serpent, oriental trumpet, slide trumpet), Catherine Mackintosh (treble viol), David Munrow (soprano cornamuse, bass courtaut, alto crumhorn, soprano curtal, tenor curtal, flute, alto flute, alto gemshorn, bass kortholt, reed pipe, bagpipes, bladder pipes, six-holed pipe, double pipes, pipe, tenor rackett, sopranino rauschpfeife, alto recorder, tenor recorder, alto shawm, oriental shawm, soprano shawm, tenor shawm, tabor), Martin Nichols (bass sackbutt), Nigel North (bass viol), Gillian Reid (chimes bells, harp with "bray" pins, psaltery), Mary Remnant (gittern), Jane Ryan (bass viol), Eleanor Sloan (lyre, fiddle, treble rebec, violin), Malcolm Smith (natural trumpet), Robert Spencer (bandora, chitarrone, guitar, lute), John Turner (alto flute, panpipes, bass rackett, bass recorder, soprano recorder), James Tyler (ceterone, citole, cittern, tenor crumhorn, bass flute, jew's harp, lute, long-necked lute, mandora, orpharion, soprano rauschpfeife, tenor recorder, tambourine, theorbo, vihuela, tenor viol), Polly Waterfied (violin), Iaan Wilson (buisine, cornett)
David Munrow, dir.

Duración: 51' 12" + 58' 12" = 1h 49' 24"

Lugar y fecha de grabación : Abbey Road Studio, Londres,  [marzo, abril, septiembre, 1973, febrero /1974]

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