The Pleasures of the Royal Courts - The Early Music Consort of London

The Pleasures of the Royal Courts

The Early Music Consort of London - David Munrow

1. The Courtly Art of the Trouvères
   1. Adam de la Halle (c.1237-c.1286): Tant con je vivrai
   2. Anon (13th century): La sexte estampie real
   3. Anon (13th century): Ductia
   4. Colin Muset (early 13th century): Quant je voy yver
   5. Adam de la Halle: Fines amouretes ai
   6. Anon (13th century): Souvent souspire mon cuer
2. The Burgundian Court of Philip the Good
   1. M. Gulielmus (late 15th century): Falla con misuras
   2. Johannes Legrant (fl.c.1419-c.1446): Entre vous, noviaux mariés
   3. Dufay: Vergine bella
3. The German Court of Emperor Maximilian
   1. Isaac: Isbruck, ich muß dich lassen (countertenor, recorder, fiddle, viol)
   2. Johann Weck (early 16th century): Spanyöler Tancz & Hopper Dancz
   3. Ludwig Senfl (c.1486-c.1543): Nun wöllt ihr hören neue Mär'
4. Italian Music of the Medici Court
   1. Three carnival songs (c.1505):
      • Paolo Scotto: o fallace speranza
      • Jac. Fo.: Tua volsi esser sempre mai
      • Joh. Bapt. Zesso: E quando andarete al monte
   2. Six anonymous polyphonic dances (early 16th century):
      • Zorzi
      • Pavana in passe e mezzo
      • Saltarello de la pavana
      • La Manfrolina
      • El pomo de lo pomaro
      • La rocha el fuso
   3. Marchetto Cara (d.c.1525): Non e tempo
5. The Spanish Courts in the Early 16th Century
   1. Diego Ortiz (c.1525-c.1570): Recercadas primera y segunda
   2. Alonso (early 16th century): La tricotea Samartín
   3. Antonio de Cabezón (c.1510-1566): Diferencias sobre "La dama le demanda"
   4. Anon (early 16th century): Rodrigo Martines
   5. Juan del Encina (1468-c.1530): Ay triste que vengo
   6. Anon (early 16th century): Pase el agoa, ma Julieta

Intérpretes: The Early Music Consort of London : James Bowman (countertenor), David Munrow (recorders, gemshorn, crumhorns, kortholt, shawm, dulcian), Oliver Brookes (viol), Christopher Hogwood (harpsichord, harp, percussion), Mary Remnant (medieval fiddle, portative organ, tabor)

Duración:  46'

Lugar y fecha de grabación: Nueva York, USA [1976]

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