- The Diamond of Ferrara
- Music from the Court of Ercole I
Ex Umbris
Dalza:
01 Piva alla ferrarese (2 lutes, rebec, recorder)
Piacenza:
02 Leoncello (dulcimer, harp, 2 lutes)
Piacenza:
03 La fille Guillemin (dulcimer, lute, rebec)
Ex Umbris:
04 Scaramella (voices)
Compère:
05 Scaramella (4 voices)
Antonio Stringari (fl.1500):
06 Poi ch'io son in libertate (voice, lute, guitar, harp, viol)
Josquin:
07 Scaramella (4 voices, lute, guitar, rebec, recorder)
Antonio Cornazzano (c.1430-1484) / Karen Hansen:
08 Cançon de' piffari dicto el ferrarese (2 shawms, sackbut, percussion)
Cornazzano:
09 Il Re di Spagna (lute, vielle)
Guglielmo Ebreo (c.1425-1480):
10 Amoroso (hurdy-gurdy, lute, flute, rebec)
Ebreo:
11 Rôti bouilli joieux (rebec, lute)
Ebreo:
12 Petit riens (bagpipe, rebec, guitar, percussion)
Anon:
13 Tentalora (2 lutes, harp, lira)
Capirola:
14 Tentalora (2 lutes, harp, lira)
Matteo Maria Boiardo (1441-1494; text) / Ex Umbris:
15 Orlando Innamorato "The Meeting of Rugiero and Bradamante" (voice, lute, harp, lira)
Martini:
16 L'Alfonsina (4 recorders)
Josquin:
17 In pace in idipsum (4 recorders)
Caron:
18 Hellas que pourra devenir (4 recorders)
Anon:
19 Fortuna desperata a 3 (voice, rebec, lute, harp)
Anon:
20 Fortuna desperata a 4 (voice, rebec, lute, harp)
Josquin:
21 Fortuna desperata a 3 (lute, rebec, harp)
Martini: 22 Fortuna desperata a 4 (2 lutes, harp, rebec)
Isaac:
23 Fortuna desperata a 3 (lute, harp, recorder)
Isaac:
24 Fortuna desperata / Litany of Saints (voices, cornet, 2 sackbuts)
Dalza:
25 Piva alla venetiana (bagpipe, guitar)
Dalza
26 Pavana alla ferrarese (2 lutes, rebec, recorder)
Dalza:
27 Saltarello alla ferrarese (2 lutes, rebec, recorder)
Dalza:
28 Piva alla ferrarse (2 lutes, rebec, recorder)
Giorgio Luppato ? (c.1502):
29 O triumphale diamante (4 voices, cornet, shawm, 2 sackbuts)
Intérpretes: Grant Herreid (tenor, lutes, guitar, tenor recorder, cornet, shawm), Paul Shipper (bass, lutes, guitar, flute, recorders, shawm, percussion), Tom Zajac (sackbut, recorders, bagpipes, treble shawm, harp, hurdy-gurdy, hammered dulcimer), Karen Hansen (rebec, vielle, harp, recorder, sackbut, lira da braccio, viol), Lawrence Lipnik (countertenor), John Olund (tenor), Scott Gray-Vickery (tenor)
Duración: 72'
Lugar y fecha de grabación : Nueva York, U.S.A.[Diciembre 1994]
medieval.org
8 comentarios:
Grato por disponibilizar o álbum!
Embora não seja exatamente da época proposta pelo blog, eu lhes indico o som produzido pela Orquestra Armorial -- são ritmos originários do nordeste brasileiro que muito influência teve das antigas cantigas medievais-ibéricas.
Boa noite.
Thank you, it is amazing.
¡Muchas gracias, Mastranto! 🙂
Gracias Mastranto. Bello enlace.
Pretioso Mastranto,
tibi gratias ago pro vestra bona, et cor
Aloha
Many thanks
@TrumpetLife: Escribe a medievalyrenacentista@gmail.com
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