- Wolkenstein
- De Monte, Landini, de Molins, Fontaine, Fabri, Grenon, u.a.
Ensemble Alta Musica - Rainer Böhm, dir.
- Christoforus de Monte
- Plaude decus mundi Oswald von Wolkenstein
- In Suria ain braiten hal Francesco Landini
- Ecco la primavera
- Questa fanciull'amor Oswald von Wolkenstein
- Wer die ougen wil verschüren Anon., 14th c.
- Je voy mon cuer Anon., 14th c.
- Saltarello Oswald von Wolkenstein
- Ave mütter küniginne Pierre de Molins
- De ce que fol pense Oswald von Wolkenstein
- Kom liebster man Oswald von Wolkenstein
- Mit günstlichem herzen Oswald von Wolkenstein
- Stand auff Maredel Pierre Fontaine
- A son plaisir volentiers serviroye Martinus Fabri
- N'ay je cause d'estre lies et joyeux Oswald von Wolkenstein
- O wunniklicher wolgezierter mai Nicolas Grenon
- La plus jolie et la plus belle Mönch von Salzburg
- Das Nachthorn Oswald von Wolkenstein
- Ain gut geporen edelman Oswald von Wolkenstein
- Wol auff wir wellen slauffen Oswald von Wolkenstein
- Zergangen ist meins herzen we Anon., 15th c.
- Ave mater, O Maria
Intérpretes: Ensemble Alta Musica: Maria Köpcke (soprano), Markus Schuck (tenor), Rainer Böhm (shawm, recorders, string drum), Dagmar Jaenicke (bombard, recorders), Hans-Jürgen Burggaller (bombard, fiddle), Caroline Schneider (shawm, alto), Anna Steigenberger (soprano), Petra Prieß (fiddle) - Rainer Böhm, dir.
Duración: 51' 24"
Lugar y fecha de grabación: Andreaskirche Berlin-Wannsee, Alemania [2001]
medieval.org
8 comentarios:
Gracias Mastranto.
Pretioso Mastranto, pretioso Jesús Ibañez Moreno
tibi gratias ago pro vestra bona, et cor
Aloha
With philological and music-historical acuracy, Rainer Böhm and his ensemble have illuminated the musical (environmental) world of Oswald von Wolkenstein.
The subtlety of the song movements is reflected in the precise yet vivid interpretation. The musical structure in which Oswald recorded all the relevant musical trends of his time is at least as elaborate as the poem itself.
It almost goes without saying that the medieval practice of performing song movements in an instrumental way is also a matter of course. The artistry of the composition is thus particularly well shown to advantage.
A successful panorama of music in the early 15th century, so thank's a lot for this fine gem!
@Woody: thanks for your exquisite comment
Post number 600! Congratuations on many years of sharing these gems with those of us out here who enjoy them. Here's to many more years of the same.
Gracias Mastranto, por tantas joyas
Felicidades por los 600 mastranto!! gracias por todo! Las palabras no bastan para agradecer el tiempo y esfuerzo que le has dedicado a compartir con nosotros estas maravillas musicales.
Gracias!!
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